This is one of the better early Jackie Chan films, when Jackie had finally started to come into his own. Too often, in many of Jackie’s first films, he was relegated to the role of “country bumpkin” and his talents were often overshadowed by poor production qualities and lesser talented players. Here the plot revolves around an orphan boy (Jackie Chan), who is rejected by kung-fu masters at a
monastery; he is taken in by a beggar and a wise man who teach him the martial arts. Now he’s out for revenge on those who killed his father and on those who abandoned him